Wednesday, May 15, 2013

Down, but not out!


Graham will be out of action for a few days due to a minor traffic accident while riding his Vespa.

He has broken some ribs (7 of them), but is in good spirits. Doctors are telling him he will be out of action for at least the next 3 days.  

Stay tuned…

Tuesday, May 14, 2013

NIELSEN BOOKDATA 2013 BOOKSELLERS' CHOICE AWARDS .



The shortlist has been announced for the Australian Nielsen BookData 2013 Booksellers' Choice Award.

We have had an amazing response with a record number of votes placed to create this year’s shortlist. The five books you have chosen to be the Nielsen BookData 2013 Booksellers' Choice Award Shortlist are as follows:
  • Light Between the Oceans - M.L. Stedman
  • QF32 - Richard de Crespigny
  • The Essential Leunig: Cartoons from a Winding Path - Michael Leunig
  • The 26-Storey Treehouse - Andy Griffiths
  • The Secret Keeper - Kate Morton
Voting closed on Thursday 2 May and the winner will be announced at the ABA gala dinner on Sunday 16 June.

Meanwhile there is still time to vote for the New Zealand Nielsen Booksellers' Choice Award 2013.
To nominate a New Zealand authored book that you have enjoyed selling the most over the last 17 months, simply email your choice to: booksellerschoice@nielsenbookdata.co.nz by midday on 31 May 2013.

Terms and Conditions apply: New Zealand Nielsen Booksellers' Choice Award

Finalists, chosen by Booksellers NZ members, will be announced on 24 July alongside finalists in the Fiction, Poetry, General Non-Fiction and Illustrated Non-Fiction categories of the New Zealand Post Book Awards. The winners will be announced at a ceremony in Auckland on the 28 August, with the Nielsen Booksellers’ Choice being announced alongside the treasured People’s Choice Award. 

Daily Rituals of Famous Authors

Mason Currey - Huff Post Books - Posted: 05/13/2013
All of us have the same 24 hours a day to do things we need and want to do. But it often seems that certain people manage to do more with their allotted hours. How is it that some of us can barely manage to stay on top of our laundry (I'm speaking from personal experience here) while others manage to write plays, compose operas, or paint landscapes? Do these remarkably accomplished people have fewer daily commitments? Are they more efficient, more driven, or more disciplined? Where do they find the time?
Those are some of questions behind my new book, Daily Rituals: How Artists Work, which looks at the routines and working habits of 161 inspired minds--among them, novelists, composers, painters, playwrights, philosophers, filmmakers, and scientists. In researching the book, I aimed to find out how exactly these artists made the time each day to do their work, and what rituals helped (or hindered) their creative processes. My primary goal was to present entertaining sketches of these figures' daily lives--but I also wanted to show how lasting works of art can arise from small increments of labor. And I hope that aspiring or practicing creative artists will find some useful strategies for their own projects.

Of all the different types of artists in the book, writers seem to be the most prone to unshakeable routines and elaborate superstitions. In this slideshow, I present the daily rituals of eight literary legends--from John Milton working in bed at 4 a.m. to Maya Angelou hiding out in a motel room with a dictionary, a Bible, a deck of cards, and a bottle of sherry.

Think Between The Lines



  • The authors are arriving! Jackie Kay and Carlos Ruiz Zafon are already in New Zealand and Anita Desai and Sylvia Nasar arrive today. It's all happening!

The first review of Dan Brown's Inferno - embargo broken?

On a Scavenger Hunt to Save Most Humans -  ‘Inferno,’ by Dan Brown - first review 
By  - The New York Times - Published: May 12, 2013

One of the first characters to appear in “Inferno” is a spike-haired, malevolent biker chick dressed in black leather. She looks like trouble in more ways than one. What is the girl with the dragon tattoo doing in Dan Brown’s new book?



Dan Brown - right - Dan Courter

INFERNO

By Dan Brown
463 pages. Doubleday. $29.95.

She’s scaring Robert Langdon, the tweedy symbologist who stars in Mr. Brown’s breakneck, brain-teasing capers. Reader, she will scare you too. The early sections of “Inferno” come so close to self-parody that Mr. Brown seems to have lost his bearings — as has Langdon, who begins the book in a hospital bed with a case of amnesia that dulls his showy wits. When Robert Langdon of “The Da Vinci Code” can’t tell what day of the week it is, the whole Dan Brown brainiac franchise appears to be in trouble.

But “Inferno” is jampacked with tricks. And that shaky opening turns out to be one of them. To the great relief of anyone who enjoys him, Mr. Brown winds up not only laying a breadcrumb trail of clues about Dante (this is “Inferno,” after all) but also playing games with time, gender, identity, famous tourist attractions and futuristic medicine. Then there’s the bit with the symmetrical clockwise Archimedean spiral, which will have people slowly rotating their copies of “Inferno,” trying not to look silly as they scrutinize the rounded calligraphy on Page 255.

There is even a twist built into its 14/5/13 publication date, a numerical anagram of the 3.1415, the approximate value of pi. Why? Because Dante divided hell into circles. Because pi is a hint about measuring them. And because Mr. Brown’s readership has never met an embedded secret it didn’t like.

As is his wont, Mr. Brown begins with a crazily grandiose prologue, this one a little more unhinged than usual. “O, willful ignorants!” exclaims some mystery figure. “Do you not see the future? Do you not grasp the splendor of my creation?” That said, this guy with a God complex leaps off a building — or, as “Inferno” puts it, takes his “final step, into the abyss.” And then Robert Langdon’s beautiful, ponytailed doctor yanks him out of bed so they can begin racing breathlessly through ... where? 


Footnote:
This may well be the first review to appear anywhere. The rest of us plebs have to wait until publication day (today) before we are even allowed to see a copy - May 14 !

Dan Brown's Inferno set for blockbusting sales - publication today !


Booksellers are confident that The Da Vinci Code author's latest novel will be the biggest and fastest-selling title of the year

Dan Brown
Dan Brown's Inferno: 'So vibrant and so horrifying'. Photograph: EPS/Rex

With less than 24 hours to go before Robert Langdon, Dan Brown's tweed-clad code cracker, strides back onto the literary stage, booksellers are predicting that the author's forthcoming new novel, Inferno, will be the biggest of the year.


Brown's The Lost Symbol sold more than half a million copies in hardback in its first week on sale when it was published in 2009. Inferno, out on Tuesday and taking readers "on a journey deep into [the] mysterious realm" of Dante's Inferno in Florence, according to the novelist, is already top of Amazon's bestseller charts, and Waterstones also believes it is set to be No 1. The book chain said the novel has already received its largest level of customer pre-orders since JK Rowling's The Casual Vacancy.

"This should be the fastest and biggest selling novel of the year – it's hard to see how anything could beat it," said Chris White, Waterstones fiction buyer. "It'll be a huge hit now and throughout the summer, then see another peak at Christmas. It could well be No 1 on 25th December."


Bookshops are already fighting for market share on Inferno, with Amazon and Tesco both selling the £20 hardback online for less than half price, at £9, and WH Smith's website pricing it at £9.99. Waterstones – which will open its Piccadilly branch an hour early, at 8am, on Tuesday morning to sell signed first editions of the novel to the first 200 readers – is selling Inferno for £10 online.

But the plot remains a closely guarded secret. Brown, who has 190m copies of his books in print worldwide, promised "the darkest novel yet" in an interview with the Sunday Times this weekend, the only one he is giving before the book's release.


The novelist said that the subject matter he is dealing with "is so vibrant and so horrifying that it does a lot of the work for me. I'm not writing about the masons and ancient histories, which is kind of ethereal. I'm writing about Dante's vision of hell … It wasn't until the 1300s and this version of Inferno that it became terrifying. Dante has had enormous influence on the Christian view of hell."


Taking a moment to show his interviewer his gravity table, where he hangs upside down from metal stirrups when writer's block strikes, Brown – who gets up at 4am every day to write – said the life of an author was "awful" and a "brutal existence". "I enjoy having written, past tense. I must enjoy it on some level but I find it very difficult. I feel like it's working out for an hour. You feel good at the end, but while you're doing it, you wish you were doing something else," he said.


He also revealed that he tries not to read his reviews, feeling partly that "critics have such knowledge" of their field "that I'm not sure that they always share the taste of the masses", and also that he is "writing for myself".

"It's funny to me that there are critics who say, 'Oh, it's a lazy style'. I believe that the purpose of language is to convey an idea and I personally don't like language getting in the way. I don't want to read things where I'm just drowning in the prose," he told the Sunday Times. "There are times when you read for the beauty of language, but there are also times when you read to be entertained or to get information. That's how I try to write – as clearly as possible so you don't have to read a sentence twice. All of that is intentional and there are various kinds of devices that I use – very intentionally and very carefully – to create that reading experience."

The most incongruous book covers of all time


Following author Maureen Johnson's criticisms of gendered book covers, here are some of the worst-fitting jackets I've ever seen. 
Bell Jar

Do you judge a book by its cover? It seems that most of us do, if author Maureen Johnson’s astute observations about gendered book covers are anything to go by. 

Book covers are generally how we sound out a book’s quality, yet the cover of is rarely the author’s choice. “I do wish I had a dime for every email I get that says, ‘Please put a non-girly cover on your book so I can read it. - signed, A Guy’”, she wrote. “A man and a woman can write books about the same subject matter, at the same level of quality, and that woman is simply more likely to get the soft-sell cover with the warm glow and the feeling of smooth jazz blowing off of it.”

Within minutes, an internet meme was born, whereby Johnson’s readers digitally remastered some literary favourites in order to show the inherent ridiculousness of gendered marketing. Hence we saw Neil Gaiman’s Stardust transformed into what looked like girly romantic fiction, complete with tagline – “love is the greatest magic of all”, and Stephen King’s Carrie revamped as a Nicholas Sparks-esque all-American smushfest, complete with Southern belle.
And yet none of these jarred so much as some of the real-life attempts that I’ve seen produced by genuine designers, some of which are so far off the mark that you wonder whether they had read the book at all. And, unlike publishers such as Pulp the Classics, which recasts classic novels in a pulp style, these designs were actually intended to be taken seriously. Such as:

The Bell Jar

The Bell Jar
 
Last year, Faber’s revamping of Plath’s nom de plume sparked internet outrage. This paper called its chick-lit cover “laughably inappropriate for a work tracing a descent into near-suicidal depression”, and they’re not wrong. The whole thing looks like a right old girly romp. Battle with mental illness, attempted rape, and harrowing electric-shock therapy? Pfft, girl problems.

Pride and Prejudice

Headline's Pride and Prejudice cover.
 
Way to debase and trivialise a literary classic, Headline. Rebranding Austen’s searing social satire as a romantic novel arguably misses the mark, especially as there’s nowhere near enough snogging for it to qualify as part of the genre. It also contains such profound reading group questions as “Did you initially find Mr Darcy attractive?” possibly encouraging a whole new generation of women to grow up fancying fictional characters, something which I know from bitter experience rarely brings fulfilment. Speaking of which …

Wuthering Heights

Harper's Wuthering Heights
 
By cashing in on the popularity of Twilight, you could argue that publishers are bringing the gothic novel to a brand new, young audience, but if these readers are expecting a tedious virgin of female protagonist Cathy then they’ll be sorely disappointed. Yes, there’s Sexy Heathcliff, but despite a spot of possible necrophilia, there isn’t a vampire in sight, though I did always imagine him as having rather pouty lips.

More

Recommended Reads from the Jewish Book Council

The Emperor's Tomb
Joseph Roth; Michael Hofmann, trans.
New Directions, 2013. 200 pp. US$25.95
 

The Emperor's Tomb - the last novel Joseph Roth wrote - is a haunting elegy to the vanished world of the Austro-Hungarian Empire, and a magically evocative paean to the passing of time and the loss of hope.

 

The Emperor's Tomb runs from 1913 to 1938, from the eve of one world war to the eve of the next, from disaster to disaster. Striped with beauty and written in short propulsive chapters - full of upheavals, reversals and abrupt twists of plot - the novel powerfully sketches a time of change and loss. Prophetic and regretful, intuitive and exact, Roth tells of one man's foppish, sleepwalking, spoiled youth and then his struggle to come to terms with the uncongenial society of post-First World War Vienna, financial ruin, and the first intimations of Nazi barbarities.
Jews in the Los Angeles Mosaic
Karen Wilson, ed.
University of California Press, 2013. 136 pp. US$24.95

Influenced by popular notions that the West is a place of vanishing Jews and disappearing Judaism, most people draw a blank at the words "Los Angeles Jew." Yet, the region is home to the second largest number of Jews in North America, and boasts the fourth largest Jewish population in the world, behind only Tel Aviv, New York City, and Jerusalem. This book, and its companion exhibition at the Autry National Center, reveals how Los Angeles has shaped Jewish identities and how Jewish Angelenos have shaped the metropolis. 
Six incisive essays look at the mutual influence of people and place as they examine Jewish engagement with frontier society, yidishe kultur and union activism, ethnic identity and Hollywood movies, Jewish women and local politics, and Jews making music in Los Angeles. The book is illustrated with a wealth of images that illustrate how Jews, operating both at the center and the margins of power, have contributed to the place and myth called Los Angeles.

The "Big Book" of BEA


Publishers Lunch

With Book Expo America set to convene in New York in a little over two weeks, we can already tell you the undisputed "big book" of the fair: BUZZ BOOKS 2013: Fall/Winter, released today, is our newest free ebook with substantial excerpts from 40 big titles to be featured at BEA and into the big fall season, weighing in at a big 750 virtual pages.

It was just a year ago that we began this very successful initiative, giving thousands of publishing people and passionate readers alike their first look at such major debuts as Kevin Powers' The Yellow Birds, ML Stedman's The Light Between Oceans, Peter Heller's The Dog Stars, and Amanda Coplin's The Orchardist, plus many other soon-to-be bestsellers and "books of the year" including Junot Diaz's This Is How You Lose Her.

The new edition builds on that successful tradition with the first look at major authors you know and love -- Jonathan Lethem, Elizabeth Gilbert, Wally Lamb, Amy Tan, Sue Grafton and Chang-Rae Lee -- and debut novels from Hanya Yanagihara (The People in the Trees), Hannah Kent, (Burial Rites),  Valerie Plame (Blowback), Graeme Simsion (The Rosie Project) and even James Franco (Actors Anonymous).
A bigger YA and children's section boasts work from Walter Dean Myers, Brandon Sanderson, James Swanson, and Tamora Pierce. And a bigger-than-ever nonfiction sections includes bestselling author Alan Weisman anticipated second book Countdown, along with excerpts from New York writer Dana Goodyear and Luke Barr and newsmaking books on the way from Johnny Carson confidant Henry Bushkin and Fundamentalist Church of Jesus Christ of Latter Day Saints survivor Rebecca Musser (The Witness Wore Red).
And Publishers Lunch editor Sarah Weinman's detailed preview of the season -- which opens the book -- provides a condensed and informed look at over 100 other buzzworthy titles to look out for, at BEA and in the months to come.

The trade edition is available by direct epub download from us, and special editions from NetGalley and Kindle. It includes detailed rights, publicity and promotional info and click-throughs at the end of almost all the excerpts to request or immediately download the full digital galley from NetGalley.

The consumer edition -- to share with your readers, BEA Power Readers and more -- is available across all major ebookstores (ISBN 978-0985491079). And an abbreviated edition, still rich with 17 excerpts, is available in ebookstores around the world (978-0989321303) for readers outside of the US.


Google Glass: what it's like to use, by the inventor of the 'Winky' photo app


Much about Google's wearable computing project has come from people who haven't used it. We spoke to one person who has – and who wrote an app for taking pictures by winking

Mike DiGiovanni
Mike DiGiovanni, emerging technology leader at Isobar, and author of the Winky app, wearing his Google Glass as part of the Explorer project.

The hype and noise around Google Glass has been colossal – triggering discussions about privacy, the limits of wearable computing, and social interaction in a world where the internet is available just an eye-glance away.

But what's it like to use Google Glass? I spoke to Michael DiGiovanni, an emerging technology leader at Isobar, a global digital marketing company – and who earlier this month released Winky, which is "Glassware" (an app for Glass) that lets you take a picture by winking.
DiGiovanni has quite a history in apps. As an Android developer for Barnes & Noble.com, he was instrumental in the creation of the Nook app for Android devices and contributed to the reading experience of the Nook Color device.

As an independent mobile developer, he has brought apps through the entire development process from conception to release. His self-published software on the Android market totals over 300,000 downloads and none has less than four stars.

How long have you been using Google Glass, and what are your first impressions?
DiGiovanni: Two weeks ago I got to pick them up – and I've been using them non-stop. It takes a while to get used to them. But I've been wearing them while driving, walking, essentially all the time. It's quite similar to wearing glasses – I don't normally – but without something sitting in front of your eyeballs.
The display is just outside your normal range of vision, so that you have to roll your eyes upwards – it sits on the top right. I turned it on by nods. You can still wear them while driving and know that you are not going to be interrupted by something popping up in your view.
The software experience is primarily voice activated. You say "OK Glass" and then "take a picture", or "Google something" or "give me directions to somewhere".
You can ask it maths questions, you know like "what is two plus two" as you can in Google, as well. As you take pictures, and emails and text messages come in, they go into your timeline which is shown in the display. If you're driving or going somewhere, you get a Google Map with directions. It's much better than having a sat nav – much less distracting, because you're not really taking your attention down off the road – you still have your head up, though you do look up to the right.
You enhance the experience with apps, called Glassware – think of them as micro-web pages. There's some HTML that can be pushed in there. So I got the New York Times headlines pushed there into my timeline. But they don't take priority over other things.  More

Nook Simple Touch Discount Works in U.K.


Shelf Awareness

Barnes & Noble's major price cut on Nooks has apparently worked well in the U.K.: B&N's retail partners report that the Nook Simple Touch is sold out in most locations and B&N's own site lists the device as "sold out," according to Good e-Reader.com.

Last week, B&N cut the price of the Simple Touch to £29 (about US$44.50) from £79 ($121). Good e-Reader added: "Not only has the discounted Simple Touch seen success with the price drop, but the brand name is at record levels of visibly. This is primarily attributed to the sponsorship of the London Evening Standard's Get London Reading campaign, and B&N also donated 1,000 e-readers to the national literacy charity Beanstalk."

Famous Authors’ Handwritten Outlines for Great Works of Literature


Writing a novel (or a story, for that matter) is confusing work. There are just so many characters running all over the place, dropping hints and having revelations. So it’s no surprise that many authors plan out their works beforehand, in chart or list or scribble form, in order to keep everything straight. After the jump, you’ll find a mini collection of those planning papers, so you can take a peek into the process of some of your favorite authors, from James Salter to J.K. Rowling.

… Read More

S&S Children's to Relaunch John Christopher

PW

John Christopher, who wrote science fiction for children and adults, is getting the digital treatment. The author, who died last year at the age of 89, is having his backlist digitized after his books largely fell out of print in the U.S. Through a deal struck by agent Russell Galen at Scovil Galen Ghosh Literary, with Simon & Schuster Children's Books, Christopher's works, including his once bestselling Tripods Trilogy, will be re-published over a three-year period. 


more »

Monday, May 13, 2013

Youth free and student discounted entry to event honouring writer and Professor Emeritus Maualaivao Albert Wendt at Auckland Festival


Forty years on from the publication of his groundbreaking novel Sons for the Return Home, world renowned writer and teacher Maualaivao Albert Wendt is being honoured for his enormous contribution to Pacific and New Zealand Literature.

Students under 18 years of age are being offered free entry to this significant event, which takes place at the Auckland Writers & Readers Festival. 5.30–6.45pm on Sunday 19 May.
Students over 18 are offered a special ticket price of $12.50.

The celebration includes:
-         a song from the cast of the sell-out PI musical The Factory
-         readings from Selina Tusitala Marsh, Witi Ihimaera and Bill Manhire
-         an operatic aria from emerging Pacific singing star Isabella Moore.

Maualaivao Albert himself will talk about his life and work with poet Robert Sullivan (Ngapuhi/Irish), Director of the Manukau Institute of Technology Creative Writing programme.


Here are the Festival’s programme details for the event, also online at http://writersfestival.co.nz/Home/Programme/EventDetail/tabid/57/id/444/Default.aspx

HONOURED NEW ZEALAND WRITER 2013: ALBERT WENDT
In 1973 an emerging writer by the name of Albert Wendt delivered his first novel. Sons For The Return Home was groundbreaking, exploring love, freedom and racism in Aotearoa New Zealand. It was made into a film and became a secondary school text. Forty years on, in the largest Polynesian city in the world, Maualaivao Albert Wendt CNZM, Emeritus Professor of English at The University of Auckland, continues to break new ground as a novelist, poet, playwright, short story writer and artist. In 2012 alone he published the poetry collection From A Manoa Garden to Ponsonby and the short story collection Ancestry. Wendt’s contribution to the literary landscape is immense; his body of work an inspiration to generations of readers; his contribution to a Pacific literature unmatched. To celebrate his accomplishments, this session will bring the sounds of the Pacific to the stage: live Samoan music with sellout The Factory cast singing one of the hits from the show and emerging opera star Isabella Moore performing an aria ; excerpts from Wendt’s writing read by Bill Manhire, Selina Tusitala Marsh and Witimaera; and Wendt himself, who will distil his life and writing in conversation with Robert Sullivan.

AUCKLAND WRITER & READERS FESTIVAL, SUNDAY MAY 19 – 5.30-6.45PM
ASB THEATRE, AOTEA CENTRE

TICKETS: $20 EARLYBIRD, $12.50 STUDENTS OVER 18, FREE FOR AUDIENCE UNDER 18; www.buytickets.co.nz

Note: Under 18s are eligible for a free ticket to this event, to be booked through THE EDGE ticketing service.

Which literary novels should daredevil film directors adapt next?


The same daredevil spirit that has informed many an apparently insane film or TV version over the past decade has seen adaptations of literary novels

Cloud Atlas - 2012
Tom Hanks as a noble tribesman, in one of the six stories in Cloud Atlas. Photograph: Moviestore/Rex Features

When the Cannes film festival starts next week, William Faulkner's As I Lay Dying, adapted and directed by James Franco, will be in the lineup. The Spider-Man star is known for mixing bookish projects with acting in blockbusters, but has nevertheless raised eyebrows by selecting a novel with 15 narrators that tells the seemingly uncinegenic story of a southern matriarch's death and burial.

This month will also see Paul Thomas Anderson begin to shoot his version of Thomas Pynchon's Inherent Vice, the first of Pynchon's dauntingly complex works to be filmed; and Steven Soderbergh recently announced plans for a 12-hour TV dramatisation of John Barth's The Sot-Weed Factor ("If it works, it'll be super-cool. And if it doesn't, you won't be able to watch 10 minutes of it"), a rambling 750-page novel with an ill-advised title about an English poet in 17th-century Maryland.
Something is clearly changing, at least for adventurous auteurs, raising the question of whether any books still remain off-limits.
More

Tessa Hadley on tedium in literature


The novelist Tessa Hadley on the strange thrill of reading about boredom.

How does a writer convey tedium without boring the reader? Paradoxically it seems to thrill us to read about the agony of boredom. I thought at first that men were better at writing it than women, then I changed my mind; the first of my five favourite tediums is Jane Eyre (1847) pacing up and down the third storey at Thornfield Hall, longing for a bigger life and “a power of vision which might overpass that limit”. “The restlessness was in my nature,” Jane says. “It agitated me to pain sometimes.”
In Chekhov’s A Boring Story (1889) tedium is a dreadful hotel room in Kharkov: the bed eternally covered in a grey blanket, a clock eternally striking in the corridor.

Borges’s Pedro Salvadores (1969) hides from the dictator Rosas in Buenos Aires, by climbing into a secret cellar under his dining room – and stays there for 10 long years; at first he dreams at night of violent death, or of the open streets, but after a few years he dreams only of the cellar.

All the good war writers describe war’s tedium: Tobias Wolff’s In Pharaoh’s Army (1994), about the Vietnam War, skewers the horrible juxtaposition of extreme danger with petty pointlessness; American soldiers seemed “in the grip of unshakable petulance… it was in the slump of their shoulders”. And Agnes Owens’s Gentlemen of the West (1984) makes the tedium of work both terrible and funny; men in damp clothes in a hut on a building site, waiting all day for the rain to stop “in order to get on with the vocation of laying the brick”.

So who's making money publishing on the web?


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  •  - CNN Money - May 10, 2013
  • New media companies -- from Gawker to Buzzfeed -- have sprung up to feed every niche (and then some). Which are actually profitable?

    FORTUNE -- The web has given rise to a number of notable digital publishers serving almost everyone's tastes, from straightforward news to guilty pleasures. For every Pulitzer-winning 10-part series on wounded war veterans, there are just as many frothy posts like the "10 funniest cat GIFs of the week." What about earnings? Some like The Awl have been profitable from the outset; others like Vox Media predict they'll be in the black soon. Here's a snapshot of just several new media businesses and how they're doing.
    n690525583_4260656_2886

    Right - Huffington Post co-founder Arianna Huffington. Credit: Twitter.
    Founded:  2005
    Readers:  73.1 million worldwide
    Employees:  Not available. (Estimated: Up to 500.)
    Who runs it:  Greek author, columnist, and influencer Arianna Huffington
    What it's known for:  What isn't it known for? In eight years, HuffPost has become one of the most popular news websites in the U.S., with a wide array of content, from hard news and celebrity commentary to aggregated stories from outside outlets and award-winning reportage. In 2012, it was awarded a Pulitzer in National Reporting for a 10-part series on war vets by senior military correspondent David Wood called "Beyond the Battlefield."
    Backstory:  Launched by Huffington, businessman Kenneth Lerer, deceased commentator Andrew Breitbart, and Jonah Peretti, creator of Buzzfeed, as a hub for news, commentary, and select third-party articles. Think Drudge Report, but more mainstream.
    Backers:  $1 million in initial funding with an additional reported $20 million later, followed by the $315 million acquisition by AOL in 2011.
    Business model:  Largely composed of digital advertising but also content syndication and e-commerce.
    Revenues:  Not available, but the outlet once aimed to triple sales from $30 million in 2010 to $100 million last year.
    Profitable:  Briefly in 2010, but not since its acquisition.
    What's next:  Aggressive international expansion and more video across the entire site, according to a HuffPost spokesperson.


    More

    Putting the Brand Before the Book Produces Profit



    Helen Nathan came up with a brand and marketing plan before for her series of baking books for kids before the books were even written. Today, licensing deals yield 4x her book royalties.
    Microsoft is said to have offered Barnes & Noble $1 billion to buyout the Nook Media business. Where would that leave the retailer going forward?
    More News from PP:
    Amid the glut of online info and entertainment, how can publishers show consumers that books are important, asks Erin Cox. Join our Reaching Readers Conference on May 28 to find out.
    The recent Sharjah Children's Reading Festival offered a unique spectacle for readers and a snapshot of children's book publishing issues in the Middle East.
    Internet literature may be booming in China, but a recent survey reports that a majority of readers have been disappointed and unsatisfied with the quality of the books.
    From the Archives:
    The challenge with digital is discovery, so David Roth-Ey of Fourth Estate and William Collins, is now looking at new ways to engage potential readers, including live events.

    RHNZ launches the Random House New Books App for iPad


      
      

    New app helps readers decide what to read next
    Random House New Zealand is pleased to announce the Random House New Books App for iPad and iPhone is now available on the App Store.  The new app will introduce readers to new books and features twelve guaranteed good reads, allowing book lovers to sample the first chapter before buying the book through the iBookstore.

    Choosing which book to read can be a hard decision for many book buyers given the challenge of a myriad of book choices coupled with limited budgets and time constraints.  Readers want to be assured of a good read and the Random House app for iPad will help make this decision easier. Readers can explore authors they may have heard of but weren’t willing to commit to, try prize winning authors that may have sparked their interest or review a book before recommending it to their book group. In addition, they can decide if it will make a good gift for a loved one.

    Each month the app will update to include new authors and books for readers to trial. There will also be links to author interviews and webpages so readers can find out more about their favourite authors.  The books will also be grouped by genre so they can delve more deeply into their preferred type of book.

    The Random House New Books app is available for free from the App Store on iPad, iPhone or from iTunes.

    For more information please contact:
    Yvonne Thynne, Publicity Manager

    Become a published writer with Kobo and The New Zealand Society of Authors (PEN NZ Inc.)











    The New Zealand Society of Authors (PEN NZ Inc.) in association with Kobo Writing Life are proud to announce the launch of the Kobo/NZ Authors E-Publishing prize.

    This competition offers two budding New Zealand authors the opportunity to be professionally published in e-book form through the Kobo Writing Life platform and offered for sale throughout New Zealand.

    The competition allows applicants to enter a piece of writing of fiction or non-fiction between 30,000 and 120,000 words.  Manuscripts are to be judged anonymously by a panel comprising representatives from Kobo, The New Zealand Society of Authors (PEN NZ Inc.) and an independent bookseller.  Members of the public will be able to vote for their favourite shortlisted manuscripts on-line and these winners will each receive a free Kobo reader. 

    Open to any New Zealand resident or citizen.  So get that manuscript out of the bottom drawer, dust it off and send it in.  Application forms and Terms and Conditions are available at www.authors.org.nz.

    “Kobo Writing Life is all about removing barriers and providing authors with tools and resources to help get their best work into the market,” says Mark Lefebvre, Kobo’s Director of Self-Publishing & Author Relations. “Collaborating with the New Zealand Society of Authors in this effort to recognize excellence in writing is a great way to provide New Zealand writers a fantastic and unique opportunity.”

    “This is such an exciting opportunity for two New Zealand writers” says Maggie Tarver, CEO of The New Zealand Society of Authors (PEN NZ Inc.).  “The idea grew following the success of the NZSA/Pindar Publishing Prize in 2010.  This offered a print publication and it seemed a natural progression to move into e-publishing in the current environment.  I approached Kobo with the idea of publishing a book, and they were so enthused by the idea they wanted to offer not one but two publication opportunities – one for fiction and one for non-fiction. We are delighted with this opportunity to work closely with Kobo and to offer this amazing opportunity to New Zealand writers. I urge everyone to send in their work – this could be the beginning of something wonderful.”

    Win the opportunity to have your book professionally published through the Kobo Writing Life Platform and sold throughout New Zealand.  Two prizes are offered – not one!  Publication for a non-fiction and a fiction manuscript is available sponsored by Kobo and administered by The New Zealand Society of Authors (PEN NZ Inc.), each prize is worth over $10,000. 

    Background

    The NZ Authors established a print publishing prize in 2010 in order to create an opportunity for a New Zealand writer. This unique award was for an unpublished manuscript to be taken through to a published form and offered for sale in print form throughout New Zealand. The NZ Authors is delighted to be able offer the prize again in 2013 for two unpublished manuscripts to be published in e-book format through the Kobo Writing Life platform and offered for sale throughout New Zealand.  Sponsored by Kobo the award is administered by the New Zealand Society of Authors (NZ Authors).


    Aim of the Award

    The award offers digital publication through the Kobo Writing Life Platform for two previously unpublished manuscripts - one fiction and one non-fiction.  The purpose of this award is to create opportunity for authors to publish their work to a professional standard and to offer it for sale through trade channels in New Zealand. The award also aims to recognise excellence in creative writing and create a launching pad for writers’ careers.


    Key Dates

    Applications open . . . . . . . . . . . . . . . . . . . . ... . .….…. May 2013
    Applications close . . . . . . . . . . . . . . . . . . . . . . ... .... ….July 2013
    Shortlist announced . . . . . . . . . . . . . . . . . . …. September 2013
    Online voting begins . . . . . . . . . . . . . . . . . .... ….. ..October 2013
    Online voting closes. . . . . . . . . . . . . . . …….. .. … October 2013
    Winner announced. . . . . . . . . . . . . . . . . . . ... … November 2013
    Book launch . . . . . . . . . . . . . . . . . .  . . . . . . …………March 2014

      
    Maggie Tarver, (09) 379 4801 director@nzauthors.org.nz 
     The New Zealand Society of Authors (PEN NZ Inc.)
    PO Box 7701
    Wellesley Street
    Auckland 1141