Sunday, November 15, 2009

Invisible by Paul Auster
Joanna Briscoe reads a novel that rocket-charges the reader through games and structural devices
The Guardian, Saturday 14 November 2009

Invisible by Paul Auster
Faber and Faber, £16.99

Paul Auster has created what amounts to his own, self-referential fictional world over the years, and Invisible is packed with typical Auster tropes. This is his 13th novel, and at times he seems to be both celebrating and lightly mocking his own oeuvre. There is the oddly detached male narrator roaming New York; a random dramatic incident that alters the course of a life; ruminations on the nature of writing, language and identity; multiple narrators; stories within stories; and general intertextual gadding about. And, as ever, fragments of Auster himself seem to feature – in this case, divided into two characters.

Invisible concerns the young Adam Walker, "a tormented Adonis", a notably gorgeous and intellectually gifted Jewish American born in the same year as Paul Auster, who studies at the same university. Or does it? And is he? And does he? As so often with such playful meta-fiction, we are increasingly uncertain. As is later revealed, there are different takes on the past, as well as projections of desire that warp or reveal, and Invisible is not so much a tale told by an unreliable narrator as a series of harmonising and clashing testimonies.

However, this makes the novel sound more arcane than it is. It is so well paced that it rocket-charges the reader through all its games and structural devices, and is a tantalising page-turner of great – if deceptive – lucidity. If we follow the initial and most persuasive version of the story, we are in Manhattan in 1967, where Adam Walker, Columbia undergraduate and aspiring poet, meets visiting professor Rudolf Born and his girlfriend Margot. The subject of Vietnam is ever present, and Born is a man of contradictory and frequently explosive political opinions. Born flatters Adam by proposing that he finance a literary magazine to be edited by the gifted student, and so begins an alliance that sees Adam engage in an affair with Margot and witness the increasingly unstable Born murder a young man who threatens him.
The full review at The Guardian online.

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